This is "Tarascon Diligence" by Vincent VanGogh, 1888. It is one of his earliest painting and a copy appeared this morning in the New York Times.
I know nothing about the painting except that I couldn't stop looking at it. It is well over a hundred years old, so could hardly be called "relevant." It is 19th century Europe. I am 21st century Arizona. So it can't be a matter of location.
But it's the "Arizona" that I read into it that enables the painting to grab me so. It might as well have been Tombstone, Arizona, 1888, and I might as well have been inside the tavern having a drink with fellow travelers to prepare for the trip ahead.
This is something that sets apart a great piece of art, regardless of the art form - timelessness - spacelessness. It comes to meet us and drags us someplace new and different, yet the same.
But there's more. This Van Gogh points beyond itself. There's the feel of impending drama, action, soon to take place - very soon now.
There's that ladder for the freight and luggage to be worried up ... and for the guards to mount as well - when it's time to leave.
A second stage indicates we're at some crossroads where travelers and merchants cross paths.
The brushwork and the wonderful muted colors catch the spirit of the day and the situation. It was this which first caught my attention. This is antique, at its finest. Wabi Sabi. The crude ruggedness of history.
But the empty coach, awaiting first the horses, then the drivers, finally the passengers, lift up the anticipation of things still to come. It is unfinished action. Preparation. Potential.
And what will happen, once they are underway? Dangers? Dust? Heat? Breakdowns? Death? Unexpected opportunities? Who can say? It, like life itself, is a mystery. It is to be approached with reverence and awe.